Objects made using an Art Nouveau
style are crafted in such a way that they are as much a functional
object as a piece of art. If art is a finality without an end, as it
is the result of a process that has no other purpose than to exist on
itself; And function is defined by a set list of criteria that define
the object, it is only natural to ask our selves if this fusion of
art and function is relevant.
Pugin, who was an important figure of
the Gothic Revival, would have been extremely critical of this style
as it displays its opposition to “the true principles of art and
design” and displays “cheap and false magnificence” (A. W. N.
Pugin, 1843) because of it's ostentatious nature and the fact that it
displays decorations that wouldn't be, according to Pugin,
appropriate decoration for the function that the object serves. A
member of the Arts and Craft movement would hold a similar
argumentation. Hence from their point of view, the Art Nouveau style
is irrelevant as it's fusion of art and function is fundamentally
contradictory in nature.
For Kant, the question of beauty in
art is distinct from that of the function. Jugging if an object is
functional is the same as proving a scientific theory. It is applying
a set of universal criteria to a singular object. On the other hand,
the “reflective judgment”, jugging of the beauty of the object,
can not claim to be universal nor can it be associated with concepts
of utility or pleasure. Thus art is totally distinct from the
function of an object and are not mutually exclusive.
To conclude, because art and function
are not mutually exclusive, one can not say that the Art nouveau
style is irrelevant. On the other hand, this does not mean that one
must decorate an object in such a way that it becomes a piece of
artwork, it can be done or may not be done as the designer sees fit.
Pugin, A.W.N. (1843). An Apology for the Revival of Christian Architecture in England. London, Great Britain: John Weale.
Kant, E. (1781). Critic of pure
reason. Riga: J. F. Hartknoch
Kant, E. (1781). Critic of practical
reason. Riga: J. F. Hartknoch
Aucun commentaire:
Enregistrer un commentaire